![]() ![]() Silver Goddess Award for Best Comedy Performance Her death was announced over Twitter by the Instituto Mexicano de Cinematografía on the cause of death was not made public, but it was known that she had been suffering from stomach cancer. In 2020 a new scandal surfaced after two women, Mirna Velasco and Denisse Guerrero, singer of the Mexican pop band Belanova, affirmed to be daughters of Velasco with Mexican host Raúl Velasco. She later said: "My husband was worth gold, I will not lie and say he was the perfect man, but he was the love of my life." She also had a daughter with Raul Velasco named Marina Velasco who was given up and kept a secret, They married and had two children, producer-director Iván Lipkies and actress, screenwriter and producer Ivette Eugenia Lipkies, also known as Goretti Lipkies. In the early 1960s, Velasco met Russian-born Mexican film actor and choreographer Julián de Meriche (born Vladimir Lipkies Chazan) at the Teatro Blanquita. She also starred the television series Ay María, qué puntería (1998). She made her directorial debut in El coyote emplumado (1983). Velasco won a Silver Goddess Award for Best Comedic Performance for ¡El que no corre. The enormous success of the film spawned a series of low-budget comedies that became a mainstay in Mexican movie theaters. Her first La India María film, Tonta, tonta, pero no tanto (1972), was directed by Fernando Cortés in total, Cortés directed eight La India María films until his death in 1979. The segment quickly became a hit and she starred in other successful television programs. In 1969, Velasco appeared as La India María in a comic segment of the weekly program Siempre en domingo, hosted by Raúl Velasco (who is unrelated to María Elena). She later appeared in the western El bastardo (1968), where she was credited for the first time as "María Elena Velasco 'La India María'". In an effort to make her portrayal more authentic, she observed the gestures and mannerisms of indigenous women her own mother made dresses for the character. The character was dressed in traditional garb consisting of traditionally braided and ribboned hair and colorful native-type blouses and skirts. Her breakthrough came when director Fernando Cortés recommended her to portray an indigenous woman named "María" in one of Mantequilla's sketches. She soon developed a comedy character named Elena María, a rural Mexican woman. In 1964, she began to include comedic material to her appearances in sketches and, in the meantime, played servants in television programs. Juan Bustillo Oro gave her the small part of Petra, a maid, in México de mis recuerdos (1963). In 1962, her popularity at the Teatro Blanquita attracted the attention of producer Miguel Morayta, who cast her in her first film role in the drama Los derechos de los hijos (1963), starring Elvira Quintana and Carlos Agostí. Later, she became one of the showgirls of the Teatro Blanquita, where she also participated in sketches starring comedians such as José "El Ojón" Jasso and Óscar Ortiz de Pinedo, among others. Īfter the death of Tomás Velasco, the family moved to Mexico City, where she worked as a dancer at the Teatro Tívoli. She had three siblings, Gloria, Tomás and Susana. ![]() Velasco was born in Puebla, to Tomás Velasco Saavedra, a railway mechanic, and María Elena Fragoso Peón. She is best known for creating and portraying La India María, a comical character based on indigenous Mexican women. La India María went on to star in nearly two-dozen roles in Mexican TV and film, including “Revista musical Nescafe” (“Nescafe Musical Revue”), “¡Ay María qué puntería!” (“María, What an Aim!”), “Pobre, pero honrada” (“Poor But Honest”) and “La hija de Moctezuma” (“Moctezuma’s Daughter”).María Elena Velasco Fragoso (17 December 1940 – ) was a Mexican actress, comedian, singer-songwriter and dancer. (The character was retired when Velasco died in 2015.) And the immense popularity of her appearances on the Mexican variety show “Siempre en Domingo” (“Always on Sunday”) during the 1970s launched the indigenous character, with all of its stereotypes, into a successful career that spanned more than 40 years. The big laughs came from the stereotypes. The portrayal often suggested they were rural, naive, noble, uneducated, simple-minded and ill-equipped for city life, sometimes mischievous, but often susceptible to the trickery of others. ![]() As created and played by the actress María Elena Velasco, La India María was one of Mexico’s most recognized and beloved personas - and rooted in damaging stereotypes of indigenous people. The parallels between La India María and the ridiculing of Aparicio are striking.
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